{"id":61880,"date":"2018-05-14T18:38:10","date_gmt":"2018-05-14T16:38:10","guid":{"rendered":"https:\/\/stevinho.justnetwork.eu\/?p=61880"},"modified":"2018-05-14T18:38:10","modified_gmt":"2018-05-14T16:38:10","slug":"esc-sieg-von-netta-ein-musikalisches-folterwerkzeug","status":"publish","type":"post","link":"https:\/\/stevinho.justnetwork.eu\/2018\/05\/14\/esc-sieg-von-netta-ein-musikalisches-folterwerkzeug\/","title":{"rendered":"ESC-Sieg von Netta: &#8222;Ein musikalisches Folterwerkzeug&#8220;"},"content":{"rendered":"<blockquote><p>Der diesj\u00e4hrige Siegersong &#8222;Toy&#8220; der Israelin Netta Barzilai reiht sich f\u00fcr mich nahtlos in die Serie musikalischer Folterwerkzeuge ein. Das Lied besteht zu gro\u00dfen Teilen aus nachempfundenem H\u00fchnergegacker und f\u00fcllt die L\u00fccken dazwischen mit uninspiriertem Elektropop [&#8230;] Der Powerfrau halte ich zugute, dass sie das Thema &#8222;MeToo&#8220;, also das Aufbegehren gegen sexuelle \u00dcbergriffe und f\u00fcr mehr Gleichberechtigung, auf die musikalische Agenda gesetzt hat. Daf\u00fcr verdient sie Applaus, aber auch die Krone der europ\u00e4ischen Musikfans?<\/p><\/blockquote>\n<p>Das schreibt T-Online in einer Kolumne. Wie habt Ihr eigentlich den Siegertitel am Samstag empfunden? Hat er Euch gefallen? Meine Meinung dazu habt Ihr evtl. schon auf Twitter gelesen&#8230;<\/p>\n<blockquote class=\"twitter-tweet\" data-lang=\"de\">\n<p lang=\"de\" dir=\"ltr\">Zum Gewinnersong: Hier hat mal wieder nicht das Lied, sondern die &quot;Attitude&quot; gewonnen. <a href=\"https:\/\/twitter.com\/hashtag\/Metoo?src=hash&amp;ref_src=twsrc%5Etfw\">#Metoo<\/a> Furchbarer Song und B\u00fchnenshow. Cringe! <a href=\"https:\/\/twitter.com\/hashtag\/ESC2018?src=hash&amp;ref_src=twsrc%5Etfw\">#ESC2018<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/EUROVISION?src=hash&amp;ref_src=twsrc%5Etfw\">#EUROVISION<\/a><\/p>\n<p>&mdash; Steve Kr\u00f6mer (@Stevicules) <a href=\"https:\/\/twitter.com\/Stevicules\/status\/995435543319195649?ref_src=twsrc%5Etfw\">12. Mai 2018<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>Quelle: <a href=\"https:\/\/www.t-online.de\/unterhaltung\/eurovision-song-contest\/id_83767790\/pro-contra-hat-netta-mit-toy-den-esc-sieg-verdient-.html\" rel=\"noopener\" target=\"_blank\">T-Online.de<\/a><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Der diesj\u00e4hrige Siegersong &#8222;Toy&#8220; der Israelin Netta Barzilai reiht sich f\u00fcr mich nahtlos in die Serie musikalischer Folterwerkzeuge ein. Das Lied besteht zu gro\u00dfen Teilen aus nachempfundenem H\u00fchnergegacker und f\u00fcllt die L\u00fccken dazwischen mit uninspiriertem Elektropop [&#8230;] Der Powerfrau halte ich zugute, dass sie das Thema &#8222;MeToo&#8220;, also das Aufbegehren gegen sexuelle \u00dcbergriffe und f\u00fcr [&hellip;]<!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":18,"featured_media":61881,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[9,10],"tags":[8047,4893],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.0 - 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